Sunday, August 29, 2010

Object Poems

Post your descriptions of an object poems as a comment to this post.

Remember that poetry is both auditory and visual--make sure your poem both sounds and looks exactly as you want it to before you publish your comment. Structure matters.

Do not reveal your object in your comment (keep it a secret!)

Posts due by the beginning of class. They are time marked on the blog, so make sure you get it up BEFORE the class bell rings!

42 comments:

  1. This comment has been removed by the author.

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  2. Abandoned

    The metal part hit the ground with a

    clink

    clink

    clink

    A sinister slot machine swallowing up loose change.

    Its handle was bumpy like an unpaved road

    And was frantically smeared with a myriad of colors.

    Like the 80s.

    The paint on the handle was starting to peel away

    And the wooden handle was weathered like an old plank that washes up on the beach.

    I ran my hand along its splintery handle

    Angry bees stung my fingers.

    Was there once a time when its bristles did not disagree

    And try to escape in different directions?

    When one could not taste the overwhelmingly thick smell of oily paints

    Wafting from its bristles?

    Its handle smelled like a fierce forest fire

    and tasted as bitter as coffee.

    Crying out for attention!

    Abandoned, it sat

    Still

    Alone.

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  3. The Mountain on the Counter

    A mountain is there on the counter
    Rich, chocolaty, moist
    Underneath its textured butter cream
    Its fragile sponge crumbles
    The cream contrasts like the moon
    On a rocky, black peak
    Observers, like climbers, explore its dark chips
    Oozing, melting and sweet
    A taste lingers like night’s bright stars:
    Godiva Extra Dark
    Its aroma permeates the air
    Like a lone camper’s fire
    It is tempting, there on the counter
    Wanting to be eaten
    And with that taste, that smell, that texture,
    Its gone in a flash
    A clean plate is there on the counter,
    A fork lies beside

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  4. Her leaves lift to the sky in prayer.

    “Why am I avoided?”

    Light shines through a canopy of trees, illuminating her delicate petals.

    “Can no one see my beauty?”

    She screams with color as the forest around her sighs with normality.

    “Can no one hear my cry?”

    Her white spots leap from a brilliant red.

    “Why isn’t anyone paying attention to me?”

    She is poised.

    She is radiant.

    She is alone.

    She smells like rotting flesh.

    Suddenly her appearance is irrelevant.

    “I am not alluring enough?”

    Her beauty is deceiving.

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  5. A tiny little gift
    Presented like a new treasure to the opulent
    Carefully indented, precise in every way
    A precious statuette, handcrafted from love
    After a day of possession it had the mark of the house
    Pasta smell and taste, paint already chipped away
    Its name proclaimed dominance, and would put the mischievous to work
    Yet its nature contradicts the name, much like Michael Scott from the Office
    Small enough to warm in your hand
    Big enough to place all the love in the world in
    He’s mine, and always will be
    My tiny little 老板 (Lǎobǎn)

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  6. Inky black shadows dart across the room,
    Almost as dark as the midnight black tone of the tattered fabric.
    I imagine hearing the soft melodic pattering,
    Echoing down a long stretch of hallway.
    Yet today they remain still.

    The smooth blackness envelopes you,
    As if a candle has just been blown out in a cellar.
    Or the darkest part of the night,
    When all the streetlamps are out,
    And you cannot see your hand in front of your face.

    Laces dance across the top,
    Like rays of light peeking from behind a rain cloud.
    They weave in and out.
    Like curious worms peeking out of their homes in the ground,
    Unaware of the hungry bird swooping in for its next meal.

    It smells of musty closet
    Just being reopened for the first time in years
    A vivid reminder of the wear they have received.

    The taste would be no different than the smell.
    The rubber being as bitter and pungent as dandelions or Brussels sprouts.

    Delicate white threads glide across the murky black cloth
    Giving it a textured surface.
    They reach across like fingers attempting to grab something,
    They can’t reach.
    It appears to give the uneven surface some order,
    Like ants marching to their next meal,
    Or soldiers going onward to battle in the night.

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  7. Fading Paint

    Bright, lime green
    Like a traffic sign that desperately directs people day after day.

    Spherical
    Like a small globe.

    Its identity based on a single word and a number
    Printed in black fabric paint, slowly decomposing as it is battered around.

    It reeks of the smell of the left over chemicals after hair has been dyed,
    Yet dusty, as if it has been sitting in an antique house for years on end.

    Gristly, but rubbery
    As the long, thin indentions travel around it like a never ending road
    That you search so ardently for the end.

    Thump, thump, thump
    As it mocks a heartbeat struggling to pump blood through a body
    When it hits the wall.

    The fibrous filaments faintly floating on the air,
    Are pungent like bay leaves
    And bitter like unsweetened chocolate,
    Leaving the sensation of thirst on the tongue
    As if a timed mile had just been sprinted.

    It will eventually wear out and die,
    Like the rest of its kind lying on the hard, hot asphalt
    And lose its identity when the paint has completely faded.

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  8. Worn Out but Fun

    The color of aged wood-
    gradually becoming smoother with age.
    Eight panels, practically the same
    divided like the lines of longitude around a globe.
    A seasoned smell of salty sweat
    Fun alone, but more exciting in a group
    Shoes squeaking, sometimes screaming-
    sounds that accompany that echoing bounce
    With "Wilson" imprinted on it,
    any gym is home.

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  9. Black Beauty

    It sits there all day, waiting for me to return from school.

    The smell of wood polish is such a strong cross between lemon and leather that I can smell it the minute I walk into the room.

    Black as strong coffee, the exterior, shines as it reflects the light from the window it lives by.

    A small off-white line runs around its hour glass body.
    It acts like a spoonful of creamer, adding a soothing touch to the strong coffee.

    Even its barely visible wooden interior shines and contains a faint but relaxing smell, similar to paint.

    It’s milk chocolate wooden neck stretches the length of two rulers to the head, like a giraffe stretching for best leaves of a tree.

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  12. Influencing Box

    If dead at sixty-five,
    Nine years were wasted staring at the box of entertainment.
    Cubic, yet plane-like rested upon the mantle
    Fire burns, yet focus is on the icy glass above it
    This distraction it brings makes long nights brief

    Reality, sports, plots, and more: scenes found in the box of entertainment
    Bringing enjoyment to the audience
    Through connection to their lives, goals, and dreams.
    Though far from truthful,
    Ideas introduced about personal image and behavior
    Effect reality

    Vision is complemented by what is heard; and
    The silence of sleep surrenders to bursting, booming bombs
    Violence of a script,
    Encouraging actions and thoughts
    Through a box of entertainment

    It is like a pair of glasses
    Replaced or fixed if broken,
    Made of glass, plastic, and metal
    Used in a daily routine,
    But mostly effecting how the world is perceived.

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  13. Worn Warrior


    Unwrapped and unforgiving
    Standing stiff at attention
    Their purpose is protection

    The arena is a battlefield
    Each equestrian encounter breaking them down
    Hardworking and humbly rugged, a friend and necessity

    Once proud and perfectly polished
    Now camouflaged by dirt and memories
    They slouch weary and ready to retire

    Battle scars acquired in duty wrinkle them weathered
    Missing buttons and broken zippers render them defeated
    The forgotten soldier shows the scars of a job well done.

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  14. Awaiting by the Sink

    Stiff like a toy soldier,
    The handle bent gradually increasing upward like a vase of flowers.

    Sporadically and unevenly placed,
    The bristles, frayed like split ends on long hair.

    Throughout the marbled bathroom,
    The lingering peppermint aroma radiates.

    Gliding over the teeth,
    The sound is that of a cat scratching on the kitchen door.

    Feeling the bristles against your lips,
    The sensation that someone with a mustache is kissing you.

    When the brushing comes to a stop,
    The frothy foam forms around your lips like a dog with rabies.

    While the clean, fresh scent emits,
    The matted toothpaste clings and dries to the bristles.

    Just waiting for the next use.

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  15. First Impressions

    Squeak! Rustle! Whoosh!
    First impressions are critical. They explain many things about something.
    It flashed in front of them like an inflicted bruise,
    Colors black and purple.
    Rustle! The fabric sounded like a light breeze blowing leaves off a tree as the girls moved to their places.
    Whoosh! Said the fabric, as flexible as a rubber band, as it allowed the girls to tumble easily.
    They were amazed..
    It was elaborate and as shiny as the medal they were competing for,
    And the odor was very distinct. It smelled of sweat
    It clearly showed how hard the girls had worked.
    First impressions are critical…

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  16. What Do You See

    Looking through the clear plastic lens?

    Does President Roosevelt
    Pick up his fork?

    Stab his steak and wait
    For you to do the same?

    Finish his meal,
    Push his chair under the wooden table,
    And wait for you? click.

    For you to meet him
    On the SUN DECK
    Under the blue sky
    As beautiful through the plastic lens
    As through the eyes of Seurat. click.

    Does he open the garage
    And let you sit in his shiny black CONVERTIBLE?

    Take a cruise down
    Little White House Rd? click.

    Did your hand slip?

    Is your eye tired of squinting?

    Are you tired of trying to locate
    The perfect amount of light?

    To illuminate the murky white plastic?

    To finish the perfect evening
    With President Roosevelt?

    Set down the little box

    From WARM SPRINGS, GEORGIA.

    You will go back someday.

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  17. An artist in his studio


    An artist in his studio;

    Little silver button, like a paintbrush, holding imagination,

    Musical lens closing, like the un-capping of paint tubes,

    Fragrance of soft leather and metal, acrylic.

    Black, cold lens staring, a tiger to its prey.

    Eager hands rush to the focus dials, paint-stained hands hurry to the paintbrushes.

    The ribbed straps bump against the stomach, like a hungry baby to its mother.

    Homely scents of cardboard.

    A little rotation and the picture is a piece of art.

    Moments captured forever, just like a painting.

    The film is bursting with photos, pictures seeping out of the seams
    .
    And it is laid to rest once more.

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  18. The Giant

    It stands tall, elevated above everything around,
    basking in the warmth, near the creek,
    tasting like freshly exposed earth,
    the breeze tousling its limbs.

    There is brown that is every shade and hue
    that you could ever think of;
    chocolate, umber, chestnut, caramel.
    It gives distinction against the robins egg sky.

    The white budding flowers kiss the sun's raise
    as they fill the air with a soothing scent.
    Stunning is their beauty,
    so unaware of their inspiring existence.

    The greens make you squint as they reflect,
    their shiny surfaces sleek to the touch.
    Fluttering and fumbling in the wind, one breaks off
    and it spirals its way to the ground.

    It rests like a statue, alone in the front yard of a neighbor.
    Towering over all, a giant in nature.

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  19. Shining in the night
    She walks by with no sounds
    Careful not to wake her sleeping mother.
    Eliminated by the candle,
    Shadows lightly dancing on the walls,
    She goes to the place where it lies.
    The tiny black box hidden in the corner
    Awaits for her the thing she wants most.
    Bringing the candle closer, it shimmers.
    Shimmers as bright as stars in the clear night,
    Just waiting for someone to pick them out of the sky.
    Slipping it on she admires the engraved black letters
    Spelling out the memories she had in her youth.
    The cool smooth metal against her skin ignites her soul with memoirs and feelings
    That have long left her life.
    Waking from her thoughts, she strides back to bed
    Keeping it close.
    The scratches from long wear become pronounce
    As her finger softly touches the words that once held meaning.
    She slips it off onto her desk, blowing out the candle,
    And falls asleep to the gentle wobbling as it
    Cascades to its end.

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  20. Persistence

    The glass globe sits atop its ruby red base like a bird on a nest;
    In the glass, arched and lucid, you notice a blurry version of yourself,
    On a backdrop of loud colored candies.
    The paint as red as Dorothy’s slippers is chipped and crusting but remains defiant;
    The glass is scratched and dented from overuse but shined to a proud glossy finish.

    The polished, fading silver handle sits slightly crooked, eager to fulfill its purpose:

    A black-crusted penny is dropped into the coin slot,
    A handle cranks as it switches downward,
    A penny makes an empty clunk as it reaches its destination,
    Chocolate pieces crash and collide as they slide harmoniously down the chute,
    Each piece makes a hushed pang as it hits the small silver flap and,
    By this point,
    The candy is so near that the smell begins to linger,
    Like melting chocolate as cookies bake.

    Its purpose is complete, fulfilled, refined,

    It returns to its abandonment,

    Waiting, waiting

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  23. Fallen
    A quite zing rings through the air, like a noble sword.
    Torn from its master it releases a hushed cry of abandonment.
    The bristles separate, losing their grip on the air.
    Then, then it is swept away by the wind.

    With white, jagged tip and pale, brown vein running down its spine
    it playfully bobs through the sky.
    Slicing through the breeze, it gently begins to descend.

    The smooth armor acts as a humble aegis, defending against every leaf and kite in its path.
    Growing restless,
    the wind tosses it back and forth, savoring the taste of worn, dried wood and of musky wheat.
    Without warning, the rain begins.

    The current of the air becomes more and more negligent,
    whistling through each weak bristle.
    “Phew, phew,” the lone wing mutters
    at every missed droplet of water.
    Filled, wet sacs fall through each isolated shaft.
    Its luck soon runs out.

    One drop, two drops …
    then it is bathed in the forsaken tears of the sky.
    Beneath this new burden, the damp bristles mat together.
    No more is the plume light and careless.
    No more does it soar through the skies.
    Releasing a soft hiss, it plummets towards the cold, wet ground below.

    Moments before impact: the wind thrusts its crown upwards,
    catches the quill in its embrace,
    coasting it slowly downwards.

    “oomph.”
    The shaft lands softly,
    and rolls in its own unfamiliar fragrance of a wet stray.
    Tapping to a stop,
    choosing a final resting place,
    and stretching its moist bristles towards the sun.
    The plume lay resting there, like the elegant, white comb of an angel.

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  24. Enigma

    Bright like the sun, she lights up her world
    With the color of fire;
    the dancing flames are vivid yet subtle
    Unlike her fiery color her touch is cool,
    but each part of her is different like a snowflake
    She could be mistaken as silk with each delicate touch,
    but part of her makes your finger drip.drip.drip
    like a leaky faucet
    Yet, her aroma is familiar like granny's perfume,
    but not as strong
    Her taste is a sweet sensation;
    a fresh liquid that dissolves on your tongue
    She is truly mystifying…

    Tiana Mills

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  25. FUN YEARS

    Sitting atop the once shining tent-shaped roof,
    A glittering rose-red turn knob wounded up like “Jack in the Box,”
    Click. Click. Click. stile of an amusement park.
    “It’s a Small World After All” the rusty old machinery chimed.
    Jumping and Jouncing hardened wax horses
    Were corralled by plastic blueberry and cherry licorice sticks,
    Holding the roof up like Grecian columns of Candy land.
    Old Johnson’s Baby Powder and spoiled baby formula traveled through the air
    The licorice sticks were mounted to the dust enveloped turquoise floor
    With a peeling sticker banner wrapped around reading,
    Chunky, childish, true yellow letters, “FUN YEARS”

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  26. Behind the Door


    How bold and brazen it stands
    So solemn and quiet
    With dark features like that of a vast night sky,
    The gleaming metal fragments produce an eerie feeling.
    Yet so dark and mysterious,
    Who would ever know?
    Behind the door that reveals its true identity
    The turn of a dial creates an image so vivid and radiant,
    That one would never know.
    It’s scorching heat and barren embers
    Form a scent unknown to any man.
    The luminous tinge forms color like that of a scarlet rose.
    Behind the door lies a sweltering heat that is waiting to be exposed.

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  29. He sits alone, in a shadow of darkness;
    His arms hang like empty bags, covered in burrows big enough to fit fingers
    With threads snaking out from the seams.
    His body is as rough as sandpaper
    And his worn-in boots, the color of faded leather.
    His arms have been stretched far, like chocolate taffy;
    And his eyes, once glassy like water, are now frozen over.
    Febreeze tries, to no avail, to mask the scents of childhood.
    He is so worn down and ragged, and yet so similar to years ago-
    His milky brown fur is as soft as a pile of fresh snow
    And his mouth is forever frozen into a smile.
    The gloss of initials on his leg runs over my fingers;
    And the salty taste of tearful nights linger.
    He brings back memories of carefree days, when everything was so simple.

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  30. As It Waits

    It sits in the yellow chair.

    The chocolate brown leather
    Crumbled and caved,
    Faint tan flowers distorted
    With handles tilted to one side but
    No hands to hold.

    It is empty now, once full.
    A purple hair brush,
    Three tubes of lip gloss,
    Five pieces of gum,
    Lost,
    At the bottom of burgundy darkness.

    Yet revealing anything,
    Everything to those who gaze
    Into its open mouth.

    Glimmering, glinting, gold
    Like little teeth
    Lined into a uniform smile.

    Shakes muffled,
    As it shuffles along,
    macaroons and cigarettes
    Following close behind.

    As the winter mint lingers
    And the smells of a town of enchantment
    Long lost;
    It waits to be used.

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  31. Shaken

    Frightening.
    Not in the way of brute force,
    But by the thought a slow, clever demise.
    Trailing behind the slithering, fluid body
    And warning others of its presence,
    Maybe too late.
    Musical in a twisted and organic way
    Like the crack of lightning.
    The last sound heard
    The last fear felt.
    So beautifully made,
    Such a deadly sound.

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  32. “Pillar of Protection”

    Her black and white coat was as bold as
    A midnight full moon shining on a starless night.
    The song of her being was “You are My Sunshine”.

    Her gentile touch was my guide
    And her strong gaze was my shield from insecurities.

    Her perfectly pale pink ribbon gave her a bit of serenity, however
    She was anything but.
    She was like an eight year old boy.
    She had the personality of an old woman
    Whose principles were backed by years of wisdom.

    But she was my sunshine and my pillar set in stone.

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  34. Jewel of the Garden
    Standing tall in its green velvet bed,
    Incrusted with liquid diamonds and displayed
    Proudly in the golden morning light,
    The living jewel captures my eye with effortless grace,
    Like the rings is see on old ladies’ withering finger.

    The soft arch of the six petals
    Dare my fingers to reach out and touch;
    Their complexion bringing back the image grandmother’s
    Priceless doll porcelain, blush covered face
    Staring at me from its perch up much
    Higher than I could dream to reach

    Short green burst of petals draw my eye up and
    To the bursting firecracker the petals form
    But all I hear is the soft, sweet silence of the morning,
    This garden gem demanding my attention;

    It will not let its value be ignored, even by me.

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  35. Oblong and Forgotten

    Overused plastic, worn and discolored from its load,
    Its large, oblong, bulky presence
    Is unobserved by those who pass by.
    I slide a firm finger across the inner wall.
    A screech,
    Like a small child screaming for its mother
    Pierces the air.

    My sweaty hand rests on its cover.
    The plastic feels sticky against my palm.
    Sliding along
    With an unpleasant hiss,
    Its abrasive texture rubs against the floor.
    I stumble and hit its wall
    THUMP!
    Its cover quivers and vibrates as surfaces meet.

    It rests silently in the corner
    With its thick, but flexible walls
    That are rough and coarse to the touch.
    Bearing the heavy weight
    Of forgotten childhood relics,
    It stretches and strains,
    A slave to its contents.

    This big royal blue, bulky beast
    Unnoticed in the corner,
    Lives out its silent life,
    Gathering dust
    Month after month,
    From its beginning,
    To its slow, inevitable end,
    When it will melt down
    Into a thick, gooey liquid
    That will be reshaped
    Into some improved polymer object
    That will be sold, overpriced,
    To a customer who will place it
    In a new corner,
    Forced to sit there
    Gathering dust once again,
    Alone and forgotten.

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  36. The Humble and Unappreciated Honesty of Ordinary Objects

    They stand together summer after summer,
    Weathering gracefully where Camp Desoto earth meets
    The waters of Little River,
    Where the sticky June afternoon breeze moseys on
    Through Mentone, down Highway Above the Clouds
    To join them both.

    Forgotten paint brushes are quietly camouflaged
    By the crusted and clumped mosaic of mistakes.
    Adorned with the handprints of hundreds.
    Bowed like the roof of a Chinese temple,
    Groaning when any pressure is applied,
    They threaten to collapse under strain.

    Masking tape fringe blows to the underside and sticks
    Sticking. Unsticking. almost a faint clicking sound,
    Like a beetle who tried to launch itself onto a leaf
    And falls on its back in failure.

    Splinters spike from the split wood into soft hands
    Young girls are led bawling to the infirmary
    They brag to their cabin mates about their battle wounds
    Proudly pulling at their Fresh Prince of Bellaire band-aids
    Like they just fought off Sparta, or something.

    Stunning white fluorescent lights softly flushing blue,
    Buzzing ever quietly with electricity
    And extraordinarily interested insects,
    They give away an icy, wet ring of a possibly pink Camelback,
    Covered in Jackson Prep School bumper stickers,
    Continuously sweating condensation on splotchy pink palms.

    Algae grows in the musty wood which always absorbs everything liquid.
    Sweaty elbows and sneezes from grass allergies
    Collaborate with the sharp, toxic Sharpie ink,
    Hard water, Modge-Podge, and strong orange scented soap,
    Pressed flowers and abandoned half eaten gala apples,
    Leaving that irremovable, soaked-in stickiness.

    The combined smells are like licking a stamp or even sucking on a cough drop.
    One that is meant to taste good, but really doesn’t.
    The kind where you keep sucking till it’s all gone,
    Not even knowing why.

    That’s what they would be like.

    There is nothing to question about their reality;
    Nothing hidden under the tenth layer of paint.
    They are real. They support creativity. It is what they are for.
    Why the decades old wood doesn’t just deteriorate.
    Why they are never replaced.

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  37. He sat,
    Falling apart gradually at the seams,
    Perched on the top shelf
    Between two, old, dust covered leather bound books.

    Crumbling apart like an ancient, much loved book
    That had been read and reread hundreds of times with markings in the margins and fingerprint and coffee stained pages.
    A thin layer of dust cloaked the folding cloth
    Like the snow found on the rolling, wintery hills of Alaska.

    Neglect,
    Moisture and dust filled his surrounding atmosphere.

    His lumpy insides were tumbling and rolling out of his torn, indigo leg
    Like rolling mountain streams and puffy, summer clouds.
    The rainbow bowtie was the perfect accent to the
    Multitude of colors covering his threadbare body,
    Acting as the icing on the cake.
    The dilapidated, cracked leather felt crinkled and furrowed,
    Yet still had the soft feeling of new leather.

    A long lost lifetime friend sat waiting.
    Lonely.
    Waiting for returning love.

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  39. Waiting
    Sitting on a desk, nothing changes it
    Waiting in the warmth of the sun, the surface still cool
    My name carved on the back
    The bright blue cover protects scratched metal
    Smooth, blank glass sits opposite
    Indented is a small, round button
    This button can end its waiting
    The inside is a mess of wiring
    Copper, metal, batteries:
    They taste acidic and tangy
    And smell even worse
    But to end its waiting, every bit is necessary

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  40. Fifty two

    Red and black shuffled together
    Worn and faded colors make each individual card
    Queens and kings, always poised
    Jacks with grins lining their square, symmetric faces
    Slim, black spades and clubs slide easily through practiced hands
    Diamonds and hearts are red as blood, their edges sharply slapping the smooth glass
    Worn edges that once cut like a butcher’s knife are now dull and rounded
    Tiny folds and microscopic tears lend to the worn look
    The papery surface is covered in red and black ink
    Linear faces and small digits opposite a red geometric pattern of lines and dashes
    All elements adding up to memories

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  41. His black blending in with the night sky
    Only seeing his glowing eyes piercing through the darkness.
    Four legs, short, close to the ground on which
    He lies. His aging joints causing him to slow
    Like the snail that slithers across the hard concrete.
    His scent sends the slight smell of grass, fresh cut grass,
    Everywhere he goes. The white stripe, for which he is
    Specifically named for, turns gray day by day by
    Day never returning. Aging is all he live for, growing
    Old by the minute, by the second never returning.
    His youth, gone, in the past along with his white stripe
    Neither ever returning. He is all I live for, striving
    To make the remaining days count.

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  42. Vanilla Reflection

    Sturdy, standing still
    Looking out o’er all
    Simply reflecting
    The day passing by

    Smooth, vanilla hue
    Streamline, thin and plain
    Not shocking but yet
    Catching attention
    As does royalty

    With the bird on top
    In place like a crown
    Stately, commanding
    Quietly waiting

    Crisply cut edges
    Curved hands, shoulders, feet
    Positioned ready
    For what’er may be

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